Red Skies at Night

January 15, 2012

Folio Mini Workshop: Wrap Up

Filed under: inspiration, life, photography, process, workshops — Tags: — Eric Jeschke @ 4:40 pm

Folio Mini-Workshop Participants

Key: R20120115-145346

From left: Eric, Jean, Charlene, Ken, Mary, Jim

If you are a regular reader you know that I have been teaching a folio mini-workshop to some other members of our local photography club. These are a really talented group of photographers who were interested in learning how to make a folio. The assignment: a completed, printed and enclosed folio. Today was the wrap up day where we showed our finished product to each other and shared the experiences of their making.

I was very impressed by the results. One of the members has already sold 19 copies of his folio at around $150 each. I have no doubt there will be some more sales by some of the others. They were all very inspiring and impressive pieces of art. I was struck again, looking through them, how the print is still the ultimate performance of a photograph. These folios were all more impressive than the electronic ones we previewed at the last meeting.

Jim's FolioKey: R20120115-131312

Jim

Mary's FolioKey: R20120115-133549

Mary

Ken's FolioKey: R20120115-135423

Ken

Jean's FolioKey: R20120115-140215

Jean

Charlene's FolioKey: R20120115-142239

Charlene

Eric's FolioKey: R20120115-144920

Eric

January 1, 2012

2011 in Reflection

Filed under: competitions, exhibits, inspiration, photography, photos, tools, workshops — Tags: , , — Eric Jeschke @ 4:53 pm

Chicken Little

Key: R20120101-155621-master

In years past I have taken occasion at the end of the year to look back on the year and reflect about what I’ve accomplished on my photographic journey and what goals I have set for the next year.  I am honestly not trying to toot my own horn here.  This is a journal, so it is mostly for me to look back and track my progress.  The thing I like about blogging is being able to read other’s journals and get ideas, be inspired, and take solace that others are struggling with their own creative goals, whatever they may be.

2011 was a good year, at least by most of my past measures of progress.  I entered several local contests and had pieces in all of the resulting shows.  I made a new folio (that is up to a higher standard of quality as far as the finishing), and learned some exciting new mounting techniques.  I didn’t make a book this year, but that was fine.  It was a conscious decision to skip doing so until I had a worthy project.  The making of a book just so I have “been there, done that” I have already done several times over now and is no longer interesting in its own right.  I attended a seminar by Dewitt Jones, and taught a mini-workshop on making folios.

But 2011 was also a year where the increasing feeling of “plateauing” weighed heavily upon me.  Near the middle of the year I was wrestling (mostly offline) with new ideas for getting out of my usual paths and forcing myself into some uncomfortable areas to help spark creativity.  The biggest issue here is trying to get myself out of being strictly a “found image” photographer.  To that I want to add a “create vision” photographer half; a kind of unrealized potential that I see.  To do this I wanted to force myself to create some photographs in a studio setting.  I didn’t want this to be an excuse to buy more gear, but sometimes just having a few new tools can let you experiment more easily with new ideas.  I purchased some inexpensive items to make a DIY mini-studio for shooting still life and macro subjects, bought a couple old manual focus portrait lenses and spent some days experimenting with these things.  I felt so far afield from my normal shooting habits that I made a new prefix for my image database keys: the “X” (for experimental) series–meaning I don’t even feel comfortable enough posting these images publicly that I felt the need to point out explicitly that they are experimental!

Looking forward to 2012, I plan to continue the these experiments and hopefully expand upon them.  I am interested in alternative printing techniques like cyanotypes made from digital negatives and might experiment with something like that a bit as well, if only just to get me out of my normal printing style.  Although I will still enter contests, I plan to put more emphasis on entering contests on the web, not just local ones. I’ll keep looking for reasonable opportunities to take workshops and seminars, but these are not a high priority, unless they look like they might directly assist with my goal of developing my other half (non-”found image” photography).  I continue to be intrigued by video and want to dabble in that a bit more.  There are likely to be more experiments like Menehune Weekend.

These are all lesser goals, however.  My absolute top goals for 2012 are:

  1. to organize my work into a much better online and offline presentation (separate from the blog),
  2. to reflect upon and prepare an artists statement that accurately reflects my work and style,
  3. to establish project-based photography as my main way of working.

I must really put some emphasis on these.  These are really critical to focus my work.  I feel more than ever that my own style becomes ever stronger, and usually it shows in whatever sorts of photographs I take.  I must figure out how to articulate that style and make that accessible to an audience, as well as organizing the work into coherent presentations.  Part of that will culminate in starting to put together solo shows of my work.  Looking at other bloggers I can often see their style coming through strongly, but there is no organization to the work.  It is just a loose collection of whatever they ran across in their day, or week.  This is also Eric, in 2011.  By the end of 2012 I would like to have some progress in organizing the photography so that it is not just a photostream, cool as those are.  This is a long row to hoe, and I expect to make only partial progress, but I am long past the time when I should have started that effort.  To finally tie in with today’s image: I have to stop running around like a chicken!

Lowest priority on the list: buy more gear.  My feeling is that my current kit is absolutely good enough for everything I am doing or want to do.  It is not constraining me in any way.  My gear is aging though.  I have a first-generation u4/3 mirrorless as my main camera.  Like all modern electronics its lifetime is measured in short years.  If the GH2 goes on a fire sale before the introduction of the GH3 I may buy one if I can find one at a good deal.  Or if the GH3 looks fantastic I may wait awhile until it drops in price and then buy one.  But I’ll happily keep chugging along with my GH1 and it’s “measly” 12 megapixel sensor until it gives out and/or I can pick up a new (old) replacement.

I am in need of a new tripod head, though, so I’ll probably be on the lookout for one sometime soon.  I’ll probably be fiddling with the lighting in my DIY studio so I may be making some lighting fixtures.  Also, soon I will have to make a decision about a new printer, because the old one will not last too much longer.  I will either succumb to the temptation to continue to “enjoy” the flexibility (and madness) of printing myself, or I will completely give up running my own printer and outsource all printing.  I am seriously considering the latter.

I could not finish this post without talking about music.  It is my second creative hobby, although it lags far behind photography in the amount of time that I give it.  In this area my goal is simply to play more and record more, and to try to expand my technique a bit beyond what I am doing now.  You will likely see the occasional post about music in 2012 as well.

Here’s hoping you reach your creative goals in 2012!

November 14, 2011

A Trio of Updates

Filed under: inspiration, lenses, photography, photos, process, workshops — Tags: , , , , — Eric Jeschke @ 12:34 am

Brush your Teeth #2

Key: X20111113-214600-master

Some minor updates here to report at Red Skies At Night. A number of things actually, movement on several fronts shall we say, although I’m not sure they are not all related somehow to my feelings of wanting to push the envelope of what I am doing photographically (i.e. getting out of a rut).

I’ve been intrigued for some time about the possibility of using old legacy glass on my micro 4/3′s kit. This is supposed to be one of the really interesting possibilities of the mirrorless design. I’ve liked what I’ve seen on the web of some old Konica Hexanon lenses and how they render on u4/3. Today after a long spell of waiting I finally got busy and found a couple of reasonable deals on ebay for a Konica Hexanon AR 40mm f1.8 and a Hexanon AR 50mm f1.4. The u4/3 adapter for the Konica AR mount is very inexpensive at around $20 from Amazon. It will be fun to play with these and see how they compare to the PanaLeica 45mm Elmarit. These three are all in the mid tele portrait range on 4/3 and I am looking forward to trying to set up some formal portrait sessions and give them a whirl.

In slightly related vein, I’ve been interested in doing some experimental work with the 45mm using a small studio setup. I finally got some materials together for backdrops and reflectors and some inexpensive lighting. I’m going to be playing with some still life, macro, miniatures and maybe abstracts in it. In a future post perhaps, I’ll reveal my klunky DIY setup. I’m pretty excited by it, although I also have a strong sense of going back to basics here. I know next to nothing about lighting set ups, macro photography and the like. Up till now I have strictly been an available light kind of photographer. This is all really new and I know there will be a steep learning curve with lots of experimentation and mistakes. The biggest thing I’m hoping to accomplish is to begin to develop an ability to work from a creative idea to a constructed image. Like many photographers, I have spent years honing the art of seeing images throughout my travels through life–the “found” image. But I feel that there is another kind of creativity that I’m missing out on completely, and that is the constructed image. I’ve made a few, but it has been rare, and I’m hoping that by pushing in that direction I might start getting some inspiration there. I’m going to be marking these images with an “X” designation instead of the usual “R” to indicate that this is highly experimental work.

On a final note, last week my group of fellow photographers who are taking the folio mini-workshop from me met for the second of our three sessions and we went over everyone’s draft electronic version of their folio, then discussed printing options, paper types and enclosure options. This was a really great session and I’m really excited to see the work these folks are putting together. Our third and final session is coming up in January and the assignment for then is to complete the printing and enclosure of the folio. I’ve decided to go with Hahnemuhle Photo Rag Ultra Smooth for my Occupy Seattle 2011 folio and I ordered a box of 50 sheets. I am constructing my own enclosure and I’ll probably have a post here on that pretty soon.

February 21, 2011

Dewitt Jones Seminar

Filed under: inspiration, photographers, workshops — Tags: — Eric Jeschke @ 9:56 am

Dewitt Jones Seminar

Key: R20110219-143542

I attended a short one-day seminar by Dewitt Jones last Saturday. For those not familiar, he is a photographer whose work dates back to the 80s and maybe earlier. He was a freelance photographer for National Geographic for many years, did a stint in advertising, and then switched to teaching and writing. These days he also does a fair bit of book writing and corporate speaking (inspirational key note addresses, etc.). He may be best known for his column from Outdoor Photographer magazine that has been running for many years. I can remember subscribing to that magazine back in the film days of the late 80s and early 90s and avidly reading his column. He was one of the refreshing few who didn’t dwell on the technical side, but talked more about creativity and vision.  He’s a part-time resident of Hawai’i, living on Molokai and running a few workshops there during the winter and spring months.

A one-day seminar/workshop is just enough to give you some inspiration, and I enjoyed his presentation and Q&A. He showed a lot of his work, beginning with the early N.G. stuff and progressing through his ad work up to the present.  His most interesting stuff (to me) was when he switched to teaching and writing for making his living.  It looks (and sounds) as though that’s when be began to experiment a lot more.  He got in to polaroids, and infrared, and all manner of digital, including small sensor work.  He finished with a section on the iphone.  He’s a big fan, and makes lots of images with it.  He’s a dynamic speaker with a well-polished presentation (perhaps just a bit too polished).  He interspersed the slide shows with Q&A sessions, and he comes off as truly loving the times we are living in for image making.  All in all I have to agree, since I also don’t put bread on the table by selling images either!

We finished the day with a critique session, and for my image he took at look at Self-Portrait, Kalapana, which the gallery owner had kindly printed for me at 16×16 in (40.64 cm square).  The print was nicely done–I hadn’t seen it before it went up on the easel.  He liked the print and had some nice things to say about it.  Perhaps the most interesting thing for me was that he liked the “playful” style of the the photograph.  To me, that sums up my style pretty accurately.  I feel that I have a playful eye and that is what I try to get across in most of my photographs.  Photography can be so vernacular that “serious” photographers often try to steer away from a playful style, yet there have been some that embraced the approach and did it well and successfully, such as William Wegman.

Great fun to spend a day having a conversion about photography.

 

December 30, 2010

Turn of the Year

Filed under: books, competitions, exhibits, inspiration, life, music, photography, photos, workshops — Tags: , , — Eric Jeschke @ 5:35 pm

Self Portrait #2, Kalapana

Key: R20101226-154728

A few reflections on the past year, and a look ahead into 2011, of a personal note, part of my ongoing journal of my creative journey.

When I look back at what I wrote last year, some things definitely have not changed. I still don’t have enough time for photography.  I still have not organized my collection or my shooting habits around projects or themes (although I am making a little progress in that direction, and certainly thinking about it a lot).

On the other hand, some things definitely have changed.  I am now fully switched over to the m4/3s system and rarely pick up the small cameras any more.  A shame, because I tend to carry those more often.  I do try to pick up a camera every time I go out the door, even if I’m just heading to a day at work. I plan to carry on that practice.

The year started out pretty well: three contests/shows entered, accepted into two.  Made a book, made another folio, had it reviewed, got some large pieces printed and framed.  But then a virtual tsunami hit me in the form of work around September.  The culmination of 5 years of work on a project coming to fruition.  And photography slid into the background.  I’m only beginning to recover, having survived the tide.  I don’t forsee that kind of work intensity being required in the next couple of years, so hopefully I can get back to a more reasonable balance of life.

As far as the photography side, in the next year I really want/need to start organizing my work around themes and projects.  I just need and want that direction.  I won’t be so focused on doing contests, but I will enter a couple select ones where it makes sense.  I’m probably through with SoFoBoMo books, although I do plan to keep on making books on my own schedule.  If I can get my work organized, I really want to push into the making of more folios.  And I think the next logical step after that is to try to arrange a solo show or get into a small group show somewhere (or at least get that process started).  Oh, and it would be fun to take in a workshop, if I can find/spare the time.  I don’t plan any major equipment upgrades, although I have a feeling my photo printer may be heading south (metaphorically speaking), so I may be looking at updating my photo printing setup sometime during the year.  I still want to dabble a bit into video, and would like to edit a couple short video pieces.

Summary: shoot more, with purpose, results ending up in folios and hopefully a solo show somewhere.  I’ll keep you updated.

New for this year: On music.

Music is my other important artistic hobby.  So far I’ve been dabbling, although this last year I managed to put out something like 5 or 6 self-recorded pieces.  I listen to them from time to time.  Sometimes I cringe and sometimes I smile. For music, which is a much newer hobby to me than photography, my goals are more simple.  More practice, more recording, more playing with other people, and hopefully some public gigs down the road somewhere.  It’s not my intention to be a “musician”, but doing almost anything publicly makes you better at it, at least that’s what I’ve found with most things in life like photography, writing, speaking, etc.  Currently I play guitar and ukulele.  I’d like to get a start on learning keyboard.  Both my kids can play piano and I’m amazed by their progress, so maybe they can help me out as well as inspire me.  I’d like to record some more music with them.

Dear Reader, if you’ve made it this far, let me wish you a Happy New Year, and my best wishes for you in 2011.  I hope that you make progress on your creative goals in 2011!

May 30, 2010

Photo Expo workshop

Filed under: inspiration, photography, workshops — Tags: — Eric Jeschke @ 10:25 pm

Portfolio Review

Key: R20100529-132834

[Hawai`i Photo Expo 2010 Juror Brian Taylor gives feedback to a participant in the Photo Expo workshop.]

Friday was the judging for the Hawai`i Photo Expo and the results will be announced at the opening reception next Friday.  I’ll be looking forward to the opening and a chance to see some nice photography, including two of my prints.  The framing looked great and regardless of whatever the outcome of the judging will be I’m just delighted to have 2 pieces in the show.  I’ll have a report on that next weekend.

Meanwhile, yesterday was the traditional workshop that we have with the juror.  Our juror this year was Brian Taylor, and his workshop was primarily a series of portfolio reviews, with a little presentation about himself and his photography at the beginning.  The day was delightful and insightful; I almost always enjoy these kinds of workshops.   My folio went over pretty well both with Daniel and the group, and I got some helpful feedback on it.  Daniel is an accomplished photographer and I think the group was universally impressed with his work.  He was also extremely gracious and professional (perhaps a bit too gracious at times, but then again, he’s probably used to running into people at his workshops that can’t take any constructive criticism and get all prickly).  Just to have a day to talk photography with some like-minded folks is a really pleasant way to spend a Saturday.

I would encourage anyone with a serious interest in photography to take a workshop sometime.  I used to think that it would be a waste of my time and money, but I’ve taken several workshops now and I have changed my opinion on that 180 degrees.  Really worthwhile.

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