Red Skies at Night

December 2, 2011

More Folio Activity and Musings on Prints

Filed under: archiving, noted, photography, photos, POD, printing, web — Tags: , , , — Eric Jeschke @ 10:46 pm

The Clothes Pin Solution

Key: R20111130-085248

My box of Hahnemuhle Ultra Smooth Photo Rag showed up a couple of weeks ago and I made a couple of test prints from the Occupy Seattle folio.  I was not overly impressed.  The dmax of the blacks was no where near where I was expecting it.   I was rather surprised, given how much I had liked the look of the prints on the regular Photo Rag.  Then I realized that it was my friend Robbyn who had printed the sample on Photo Rag, not me (she had printed about 3 of the dozen+ or so samples that I had).  I began to suspect a printer profile issue.  As these things can take a while to sort out, I decided to spring for a box of my other current fave paper, which I know that I have printed on, Ilford Galerie Gold Fibre Silk. That box came in a couple of days ago and I ran off a couple of test prints from the folio.  Wow, they looked great!  Seeing this I went ahead and started printing the whole thing…

…and the aggravation of home fine art inkjet printing came home to roost again. This time I discovered that some of the prints would, at the very tail end of the paper, twist a little on their way out of the printer, and this would cause the bottom bit of text to smear a little.  All the images were fine, because they finished above the point where the paper left the security of the rear rollers.  It was only some papers, possibly ones that were a little more curled, when the print was being pulled by the front rollers only and printing the image key and page number in the last inch or so of the paper.

For a while I thought that maybe I could fix it by simply guiding the paper in a straight path.  I tried using a clothespin clamped on to the manual feed shelf, as shown in the photo here.  It worked for a little while, but then the problem just exhibited itself in a different way as the paper simply slipped under the wheels and got printed on multiple times.  Googling a bit, I discovered that this is a known issue with this printer and certain papers (or under certain conditions–curled?) fed through the manual feed path.  I’d never seen it before because I was used to feeding much larger sheets of paper (A3+) through that path, or using the tray feed for slimmer papers.  The possible solutions I’ve seen online do not look good.  This is the kind of thing that leads to a love/hate relationship with home inkjet printing.  When it works, it’s glorious, and when it doesn’t, it’s frustration in spades.  I’m mulling over a couple of more things to try of my own design–wish me luck.

A Fine Print is a Beautiful Thing to Behold

Key: R20111202-222227

Before I got frustrated, I was positively glowing looking at the prints.  It’s always rewarding to see one of your images on a new paper. The photography world is collectively pondering if the end of the print as a destination is near, and we are all going to be looking at prints on our iPads or Kindles or what not.  Those certainly are attractive devices for browsing photography.  And I would not have to deal with the expense and hassles of an inkjet printer.  But I have to say that for this photographer at least, the print still reigns supreme.  The richness of the blacks, the subtle gradations in tonality, the resolution…my god, the detail!  Nothing quite like it.  And to think that with proper care it might last 200 years or more–archival as well.

February 21, 2011

A Linux-Based Photography Workflow (Part 4: Producing Books and Folios)

Filed under: books, floss, linux, photography, photos, POD, process, tools, workflow — Tags: , , , , , , — Eric Jeschke @ 4:52 pm

Strat

Key: R20110210-201845

This is part of a series of posts on Linux-based software tools for a photography workflow. Please read that first if you are coming to this series fresh–it will provide the necessary background information to explain the purpose of this series.

My next post in this series was supposed to be on making panoramas. I’ve run into a bit of a snag on that one and I’m going to push it to the end of the series. So we’ll move on to talking about Linux based software that I use to create books and folios.

This is actually an easy post to write because I’m going to point you at a fair bit of writing that I did in the last year or so on these subjects. So without further ado, let me point you at my categorized posts on books and another set of tagged posts on folios. Finally a pointer to my set of templates for books and folios.

A summary for those who may not wish to dwell deeper:
After some brief and successful forays into desktop publishing books using Scribus (a graphical tool), I ultimately settled on a method using the venerable La(TeX) markup language to create works that can be targeted as web PDFs (so called “E-books”), books from PDFs using Blurb.com or some other Publish On Demand service, and web and print-based folios. The method gives up some control of manually laying out the work by automating the layout using a markup language (LaTeX) coupled with TeX’s tried-and-true hyphenation and page layout algorithms. I realize that this method is probably too technical for the average photographer. However, if you have any kind of technical bent (and you well might, if you are considering a Linux-based photography workflow), you may find that the trade off is well worth it. Manual layout of books is a slow and somewhat tedious process, especially with a GUI program. A mark-up language based approach is not only faster, but inherently tweakable when your output needs change.

From the LaTeX source, xelatex or pdflatex will produce a PDF file.  I use evince (a very good PDF viewer, part of the standard Ubuntu desktop) to review the PDFs for correctness.  Once satisfied with the PDF I can either upload it to Blurb.com if I am ordering a book, or to a a web site (e.g. Issuu.com) if I am just creating an e-book.  Folios are uploaded to a web site, or printed on inkjet paper using a method that will discussed in the upcoming post on printing. After using these methods I cannot imagine going back to manual layout approaches for most books and folios.  However, if you enjoy (or need or prefer) the manual control of a GUI layout program, I can heartily recommend Scribus.  You could spend a lot of money on Adobe InDesign or some other DTP program and never use more than the feature set that Scribus offers for free.

Addendum: I use the aforementioned Image Magick convert program scripted from Python to downsample my photographs from a master folder for the book or folio.  In true geek fashion, a Makefile is used to ensure that all the images are downsampled to the appropriate size for the web or print, depending on the target output.

August 26, 2010

Blurb book arrived

Filed under: books, photography, photos, POD — Tags: , — Eric Jeschke @ 9:56 pm

A Walk Along Hilo Bay: Blurb book cover

Key: R20100826-142329-levels

In the bustle of the past few days I forgot to mention that my SoFoBoMo 2010 Blurb book arrived last week.

A Walk Along Hilo Bay: Blurb book interior

Not too much to say about this one that I haven’t said already about the previous Blurb book I did. This one basically reused the templates and form factor, so aside from being pretty different thematically, the books are very similar in quality.

To recap: you get what you pay for.  The image quality is pretty good, but just don’t compare it closely to an inkjet print, it will fall well short of that.  Still seeking that elusive printer that can do a POD book with high image quality on fine book paper (not photo paper) with close to inkjet quality.

For the price I can’t complain.  Blurb order details are here.  See the book online here.

August 10, 2010

Book ordered

Filed under: books, photography, photos, POD — Tags: , , — Eric Jeschke @ 12:43 am

Liliuokalani Gardens

Key: R20100724-080350-cm

Well, I managed to get my 2010 SoFoBoMo book, A Walk Along Hilo Bay, submitted to Blurb and ordered a copy. Since I was working off of the templates from last year I didn’t really expect any problems, and fortunately all went smoothly. A copy should be wending its way toward me soon and I’ll let you know how it all turned out on paper. If you want to check it out on Blurb, here’s the link.

I promised a post about the project and I still mean to get to that. I’ve been a bit surprised at the reaction to the book, which has been quite enthusiastic so far. More soon.

July 29, 2010

Book completed!

Filed under: books, photography, photos, POD — Tags: , — Eric Jeschke @ 12:54 am

A Walk Along Hilo Bay

Key: R20100724-103644-cm2

Well, it’s done.  My SoFoBoMo 2010 book effort.  There is more information here.

Not exactly the book I had envisioned earlier in the year, but all said and done I’m reasonably pleased with it, considering the short amount of time I had to work on it.

I’ll have some more to say about the making of it, but right now it’s late and I want to go to bed.

Comments on the book most welcome!

A hui hou,
–E

April 28, 2010

Adoramapix Photo Books: A Review

Filed under: books, photos, POD, products, reviews — Eric Jeschke @ 12:28 am

Untitled

Regular readers know that I’m interested in Publish On Demand (POD) photo books. I’ve tried and reviewed on this site both Viovio and Blurb and I’m always on the lookout for interesting new services, especially if the quality of the photo reproduction can be improved.

Recently I was contacted by one of the reps at Adorama, offering a chance to review their new photo book service, run under their Adoramapix photo printing division. With Solo Photo Book Month (aka “SoFoBoMo”) 2010 coming up soon, it seemed like an ideal time to take them up on their offer and find out the particulars of this POD service. So with the up front disclosure that I received a free photo book, here is my review.

Putting the Book Together

Since I wanted to compare the Adoramapix book with a Blurb book that I had made last year, I decided to reuse the same photographs and text for this review book rather than making a completely new book. Browsing the Adorampix web site, I quickly discovered that there was no way to upload a PDF, so I steeled myself to the fact that I was going to have to use some kind of publisher-specific software to put the book together, and lay out the whole book all over again.

Adorama’s book software is flash-based program that runs out of your web browser. A lot of people might groan at this, but to me this was a real plus, as it meant I didn’t have to install some invasive, bloated and buggy software locally on my own computer. The other bonus was that I was able to work on Linux, my preferred platform, which is totally ignored by most commercial web outfits when they make desktop software that you must download and install to use their “web-based” service (!!). Often you are lucky if you can get it for your Mac, much less for Linux, and it will likely be big and bloated because it is written in Java or C#. You’ll also be forced to upgrade it frequently as they add new “features” or capabilities to their book offerings that cannot be used with the old software. Notice to POD publishers: this is 2010! We don’t want 1980s-style pc software, bloated to late 90′s era sizes, on our computers! [Sorry, for the digression, rant off.]

I had decided to do a 10×8 hardcover book, as this would be similar in size to what I had done with Blurb. After choosing from the available dimensions the first thing I discovered running the layout program was that I would have to have either 26 or 50 pages in the book. A rather odd limitation, it seemed to me. My Blurb book had run to around 45 pages, and that was with a couple of blank pages and some front and back matter. Not wanting to add more text or blank pages to what was essentially a photo book, I opted for the 50 page option and decided that I would upload a few more photos to complete the coverage (Adorama has since added 14 page, 38 page and 76 page options).

Once you have chosen the number of pages you are dropped into the theme chooser. I’m the sort of person that likes to do a lot of the design myself, but given that I would be using a new program to lay out the book I was prepared to just use one of their templates to simplify things and then just drop in my photos and text. I didn’t see too many themes that I thought would be particularly appropriate, but there were a handful that looked promising. For each one that I tried, however, it supplied a photo layout that was vastly different from what I had in mind. I ended up choosing the blank template, and deciding to build it up from scratch.

Adoramapix Photo Book Builder

The next step is to acquire your photographs to their web site. There was a choice to upload directly, so I tried that initially, but found that it was taking way too long with the uploading. After seeing the rather pathetic upload progress of the files I canceled the upload and explored the other option they offer, which was to acquire the photos via Flickr or Picasa. I’m a regular Flickr user, and upload stuff there all the time. I uploaded the photos to a Flickr set (which went much faster than Adorama’s site) then dropped back into the book builder at Adorama and chose the option to import from Flickr. An authorization click or two later and the photos were streamed in quickly and available for populating the book. This is a great feature if you are already using one of these services to host your photos.

So far the little setbacks hadn’t really beaten me down, but it was at this point that I began to really feel some significant friction using their layout program. The drag and drop interface with precise placement and manual resizing of frames was just a little too painfully slow in Flash. Since I am adverse to doing this sort of thing even using a locally installed desktop software (check out my automated method for laying out photo books) this sort of slow and painful GUI layout work has become a bit of an anathema to me. Others may find it acceptable. Playing with the text boxes and fonts I realized that I would be at this for a very long time if I continued on that course. It was at this point that I discovered that I could drop a photo on a page and then click a button to expand it to fill the page. I decided to simply lay out the entire book as a sort of portfolio of the images, and just add a bit of the text at the front and back. Although the book would look different from the Blurb book in format, this would at least let me evaluate the image quality as well as seeing some rendering of text. If I had to do this over again I think I would simply render my existing PDF pages as images, and then upload them to the site and drop them in as full page images.

Let me say that I give Adorama high marks for trying this pure web-based approach to building a book. Unfortunately, it’s not easy making good web-based software (just ask Google) and I’m afraid I have to give the first edition of the software a “C” grade. Being a real web based service they can easily update the software from their side (I notice that they have already), and I hope that they will continue to improve the user experience. I do believe it is the right way to go. Once I had finally cleared the hurdle of creating the book in their web tool, the final steps of completing the ordering was nice and streamlined. They offer the ability to pay with Paypal, which I appreciate (I had to pay for shipping), and with a few more clicks my book was into their order queue and I was awaiting the result in the mail.

Receiving the Book, Impressions

The turnaround time for the book was fairly speedy and I received it in a little over a week. I expect the time is less for those that don’t live out in the provinces like I do. The book was shipped in reasonably sturdy cardboard and shrink-wrap packaging, and arrived unscathed.

My first impression after unwrapping the package was that this is a hefty book. The hardcover is something like 1/8 inch (3 mm) thick, made by gluing a wrap-around cover over some sturdy board material. The cover has a protective, waxy/metallic sheen, which I found slightly off-putting. Inside, the text block is done in what appears to be a thermal “perfect” binding, with the text block attached to the cover by the first and last signatures of the block being glued rather simply to the inside front and back cover, directly (and visibly) over the wrapped around cover edge. On my brand-new copy the paper was already pulling up a bit from the edges, as can be seen here. Although a perfect binding is standard in the industry, in this book it almost seems a liability due to the thickness and heaviness of the text block. From the outside this book looks like it could take some abuse, but I don’t think it would take very much before the text block comes apart or separates from the cover. This isn’t as much of a problem for the press-based Blurb or Viovio books since the text block is much lighter. On the plus side, the Adorampix binding allows a lay-flat book stance, and this combined with the lack of a gutter allows two page spreads to really be used effectively.

Adoramapix book, binding

The text block is heavy due to the paper being used. This is no ordinary paper, but Fuji Crystal Archive paper, widely used for consumer-based photo printing products. The paper feels like a large FCA photo enlargement (such as you might get from a drugstore with Fuji machine), except that it’s double-sided (or somehow glued back to back), yielding an even thicker, sturdier paper. The surface on my copy was lustre, which I found so-so (gloss might have actually looked better; I suspect the “matte” finish option would also possibly be available, but would be far from an inkjet art matte paper type). The thickness of this paper is a double-edged sword. On the plus side, it is very durable and can be thumbed through by quite a few people without getting the pages wrinkled (my Blurb book is quite wrinkled by now after quite a few page turns). On the downside, its tactile quality distinctly detracts from the book experience: the book feels more like a children’s book with shiny, thick, heavy cardboard-y pages rather than creamy, white supple pages. If you imagine creating a book by binding together a bunch of 8×10 double-sided glossy/lustre inkjet prints you can kind of get an idea for the feel. This is photo paper glued together into a book, not photographs printed on book type paper. If you want to produce a photo book as an “objet de art”, I don’t think this is going to satisy. For my book, which features children and chickens, and will receive quite a bit of browsing through over the years it’s not a bad choice. Time will tell whether the cheap binding will hold up, but I’m confident the pages will.

Adoramapix book

Now to the heart of the matter: image quality. Being a true photo paper, the quality of the photographs are quite good. This is a real photographic reproduction process on photographic paper. Despite my misgivings about the paper as “book paper”, there is no comparison between the photographs in this book and the books I did with Blurb and Viovio; the Adorama photo reproduction is much better to the naked eye. This is quite understandable considering that the others are printed on regular paper using a halftoning process. Although I’m not a big pixel peeping fan, occasionally it can be useful in figuring out something that you can see, but not quite understand with the unaided eye.  Here you can see an example of the halftoning pattern seen in the Blurb book vs. the basically continuous tone process used in the Adorama book. And how do the photos compare to inkjet prints (as I compared in the VioVio vivisection)? Well, I still prefer inkjet prints to these, but you have to start looking very carefully to really see differences. I think the detail and color is better controlled in the in-home prints, and of course you have many choices of papers with better tactile feel than FCA.

Although the photos were better in this book, the text quality suffered a bit. I didn’t include a lot of text due to the hassles in laying out the book that I explained earlier, but I did have one full page of text. It looks ok, but better in the Blurb book, where they can work from a real font embedded in a real PDF to a more normal piece of paper. Again, if you are not too picky about such things it won’t matter much. It all depends on how much of the “fine art book experience” you are trying to achieve.

Conclusion

The Adoramapix book service is a true web-based publish on demand service that produces photo books in a number of sizes. The photographs are reproduced on Fuji Crystal Archive photo paper, not regular book paper. Although one can quibble about the binding a bit, there is no doubt that for preserving and displaying your family’s photographs and memories the service does a very good job at a slightly premium price. The service is aimed squarely at amateur photo books and is not really suitable for books with a significant amount of text, or a fine art reproduction feel. The web-based layout software is a bit limited, so I recommend that you stick to the templates offered, or go with full page spreads as I did. Another option would be to do your own layout and then digitize the individual pages of your PDF as images. Their upload service is a bit slow (this may all depend on your internet connection), but if you are already uploading your photos to Flickr or Picasa they can pull your images from there fairly quickly, saving you the hassle of uploading them yet again to another service. The only major drawback to their service, in my opinion, is the requirement that your book be limited to either 26 or 50 pages, which is not very flexible (as I mentioned, they have since added some additional sizes, but they are fixed). I believe some of the other sizes may have different limits of the number of pages.

All in all, I was pleased, but not blown away by the Adoramapix book. I could see ordering some more of these as memory albums to sit on the bookshelf or coffee table, especially considering the ease from which photos can be brought in via Flickr. They are the perfect replacement for the photo albums of the previous century (unless you count the new iPad?). Overall I’m still left searching for a POD publisher that can do high-quality photo reproduction on more standard types of book paper in a decent binding. It seems that this is still elusive at reasonable price points with current technology.

The good:

  • Good quality photographic reproduction; real continuous-tone photographic process (using Fuji Crystal Archive paper)
  • Fairly accurate color with ICC profiles available (but printing is in sRGB color space, a bit limiting)
  • Real web-based software to create your book; no need to install invasive, bloated and buggy software on your computer
  • Can import photos from Flickr or Picasa  (actually works better than uploading directly to Adorama)
  • Good service and turnaround time

The bad:

  • No PDF service, must use their software to lay out the book (but could digitize your PDF pages and upload them to the blank template).
  • Glued perfect binding somewhat ugly and fragile (but allows lie-flat position and continuous two-page spreads).
  • Paper (at least in hardcover editions) is thick and cardboard-y, doesn’t really give a great book “feel”; lustre surface is just ok
  • Flash-based book layout software is pretty clunky, limited and slow, at least in the first incarnation; probably fine if you stick to the templates and don’t use a lot of text, but time-consuming and painful if you want a lot of your own design in it

The ugly:

  • Limited to fixed sizes of number of pages:  Want another size? Sorry!

Adoramapix book

Visit my Flickr set to see more review images and commentary, including a stunning pixel-peep comparison of the image rendering difference between the Blurb and Adoramapix books.

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