Red Skies at Night

January 1, 2012

2011 in Reflection

Filed under: competitions, exhibits, inspiration, photography, photos, tools, workshops — Tags: , , — Eric Jeschke @ 4:53 pm

Chicken Little

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In years past I have taken occasion at the end of the year to look back on the year and reflect about what I’ve accomplished on my photographic journey and what goals I have set for the next year.  I am honestly not trying to toot my own horn here.  This is a journal, so it is mostly for me to look back and track my progress.  The thing I like about blogging is being able to read other’s journals and get ideas, be inspired, and take solace that others are struggling with their own creative goals, whatever they may be.

2011 was a good year, at least by most of my past measures of progress.  I entered several local contests and had pieces in all of the resulting shows.  I made a new folio (that is up to a higher standard of quality as far as the finishing), and learned some exciting new mounting techniques.  I didn’t make a book this year, but that was fine.  It was a conscious decision to skip doing so until I had a worthy project.  The making of a book just so I have “been there, done that” I have already done several times over now and is no longer interesting in its own right.  I attended a seminar by Dewitt Jones, and taught a mini-workshop on making folios.

But 2011 was also a year where the increasing feeling of “plateauing” weighed heavily upon me.  Near the middle of the year I was wrestling (mostly offline) with new ideas for getting out of my usual paths and forcing myself into some uncomfortable areas to help spark creativity.  The biggest issue here is trying to get myself out of being strictly a “found image” photographer.  To that I want to add a “create vision” photographer half; a kind of unrealized potential that I see.  To do this I wanted to force myself to create some photographs in a studio setting.  I didn’t want this to be an excuse to buy more gear, but sometimes just having a few new tools can let you experiment more easily with new ideas.  I purchased some inexpensive items to make a DIY mini-studio for shooting still life and macro subjects, bought a couple old manual focus portrait lenses and spent some days experimenting with these things.  I felt so far afield from my normal shooting habits that I made a new prefix for my image database keys: the “X” (for experimental) series–meaning I don’t even feel comfortable enough posting these images publicly that I felt the need to point out explicitly that they are experimental!

Looking forward to 2012, I plan to continue the these experiments and hopefully expand upon them.  I am interested in alternative printing techniques like cyanotypes made from digital negatives and might experiment with something like that a bit as well, if only just to get me out of my normal printing style.  Although I will still enter contests, I plan to put more emphasis on entering contests on the web, not just local ones. I’ll keep looking for reasonable opportunities to take workshops and seminars, but these are not a high priority, unless they look like they might directly assist with my goal of developing my other half (non-”found image” photography).  I continue to be intrigued by video and want to dabble in that a bit more.  There are likely to be more experiments like Menehune Weekend.

These are all lesser goals, however.  My absolute top goals for 2012 are:

  1. to organize my work into a much better online and offline presentation (separate from the blog),
  2. to reflect upon and prepare an artists statement that accurately reflects my work and style,
  3. to establish project-based photography as my main way of working.

I must really put some emphasis on these.  These are really critical to focus my work.  I feel more than ever that my own style becomes ever stronger, and usually it shows in whatever sorts of photographs I take.  I must figure out how to articulate that style and make that accessible to an audience, as well as organizing the work into coherent presentations.  Part of that will culminate in starting to put together solo shows of my work.  Looking at other bloggers I can often see their style coming through strongly, but there is no organization to the work.  It is just a loose collection of whatever they ran across in their day, or week.  This is also Eric, in 2011.  By the end of 2012 I would like to have some progress in organizing the photography so that it is not just a photostream, cool as those are.  This is a long row to hoe, and I expect to make only partial progress, but I am long past the time when I should have started that effort.  To finally tie in with today’s image: I have to stop running around like a chicken!

Lowest priority on the list: buy more gear.  My feeling is that my current kit is absolutely good enough for everything I am doing or want to do.  It is not constraining me in any way.  My gear is aging though.  I have a first-generation u4/3 mirrorless as my main camera.  Like all modern electronics its lifetime is measured in short years.  If the GH2 goes on a fire sale before the introduction of the GH3 I may buy one if I can find one at a good deal.  Or if the GH3 looks fantastic I may wait awhile until it drops in price and then buy one.  But I’ll happily keep chugging along with my GH1 and it’s “measly” 12 megapixel sensor until it gives out and/or I can pick up a new (old) replacement.

I am in need of a new tripod head, though, so I’ll probably be on the lookout for one sometime soon.  I’ll probably be fiddling with the lighting in my DIY studio so I may be making some lighting fixtures.  Also, soon I will have to make a decision about a new printer, because the old one will not last too much longer.  I will either succumb to the temptation to continue to “enjoy” the flexibility (and madness) of printing myself, or I will completely give up running my own printer and outsource all printing.  I am seriously considering the latter.

I could not finish this post without talking about music.  It is my second creative hobby, although it lags far behind photography in the amount of time that I give it.  In this area my goal is simply to play more and record more, and to try to expand my technique a bit beyond what I am doing now.  You will likely see the occasional post about music in 2012 as well.

Here’s hoping you reach your creative goals in 2012!

October 29, 2011

Mounting Addendum, EHCC Fall Arts Fest 2011 & The Importance Of Titles

Filed under: competitions, exhibits, framing, photography, process — Tags: , , — Eric Jeschke @ 8:53 pm

Plastic Strip for Attaching Labels

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One thing I forgot to mention in my last post on exhibition mounting: it seems that most of the contests I enter require you to attach an entry slip to the back of the mount. Invariably they use plain old scotch tape for this, and when you remove the label it tears up a layer or two of the mount board when the tape comes up.

I decided to reduce the wear and tear on the mount board by simply gluing a strip of thin plastic sheet to the back of the mount board. This provides a place to tape the entry label and when you retrieve the photograph you can simply pull off the tape with no issues whatsoever.

I prepared three prints for the East Hawaii Cultural Center‘s Fall Arts Fest contest and exhibition. This is a mixed media show and this year there were a large number of entries: 224, of which 87 were selected. With such a small selection I felt glad to get one print in the show. The Frankfurter made it in, but Two Turtles, Two Ladies did not, nor did Remains of the Day. This is mildly interesting (but hardly surprising anymore), because Turtles and Remains were my first choices for entering, and the third was a toss-up between Frankfurter and Meanwhile, Outside the Crumpet Shop. Glad I went with Frankfurter.

During the Juror’s talk, I asked him if he thought titles were important. He said he thought that titles can be very important. I asked him if he reads the titles when judging the pieces. He said he usually does, but didn’t so much this time around because there were so many pieces and not very much time for selection. I found that interesting, because I have often wondered about the importance of titles. I think I agree that they are important. And yet I don’t really want to spend too much time thinking about it, because I feel that I can over analyze it too much sometimes and end up with a worse title than the one that came up first from the gut instinct. It seems best to think about it just a little bit longer than when the first title presents itself to my mind. If a better one comes to me in the next minute or two I’ll consider it, but that’s all the time I’ll give it. And I rarely change the title after it has been bestowed.

What do you think about the importance of titles?

October 28, 2011

Mounting for Exhibitions

Filed under: archiving, exhibits, framing, process, products — Tags: , — Eric Jeschke @ 1:30 am
Mounting a print using Art Savers strips

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I’d like to share a technique I’ve picked up for mounting prints. I enter a lot of local exhibitions and art contests. A lot of these require that you mount, mat and frame your artwork. This would get prohibitively expensive after a while, so I’ve come up with methods for quick mounting and reusing frames.

As I have explained before, I tend to standardize on certain aspect ratios and sizes of prints. This allows me to purchase a number of high quality frames with matching archival quality mount and mat board. While I used to use hinging, it always left residue (or worse) on the prints when I removed them after the show.

Art Savers strips

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I have now settled on using Art Saver mounting strips. These are pH-neutral, 100% cotton strips with a crease and adhesive strip on one side.

The beauty of these guys is that you apply them to a mount board and then you can freely swap identically-sized prints in and out of these frames without any major hassle.

Mounting a print using Art Savers

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Place the image on the mount board and position to taste. Notice how I place a small ink dot in each corner to mark the position for the print accurately. I place a small strip of hinge tape to anchor the print to the mount board for the initial mounting of the strips. For subsequent prints this is not necessary.

For smaller sized prints you can get away with 2 strips per side of the print. For larger prints you may need 3-4 per side. You simply fold the strips on the crease, burnish the crease, peel off the adhesive, and adhere the strip into position around the print, with the adhesive strip side down on the mount board and the crease folding over onto the top of the print, as shown.

The bottom strips should be flush with the print in the crease. For the side and top strips you should leave approximately 1/16″ of expansion room for the print in case it swells due to humidity or other factors.

Lay the mat over the top of the print and slide it into the frame. I use the bendable metal pins to hold the mount board into place (as shown here), so it is simply a matter of bending them back into position after the mount/mat combo is slipped back into the frame.

Although I live in a very humid climate, I’m not inclined to dry-mount or adhesive-mount my prints to mount board. For one thing it is time consuming. For another thing it gets to be expensive to buy all that mount board. This technique allows me to store the prints very compactly until I want to put one in a frame for viewing. It is interesting to note that art museums and other places that really care about the longevity of art work also do not recommend destructive mounting. They prefer hinging or techniques like this that allow the print to be remounted later without having to damage the print trying to remove it from a decayed mount board.

October 1, 2011

Faces of Hawaii 2011

Filed under: books, competitions, exhibits, life, photography — Eric Jeschke @ 10:02 pm

Faces of Hawaii 2011 Opening Reception

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The opening reception for Faces of Hawaii 2011 was today at the Volcano Art Center Niaulani Campus in Volcano village. It was a beautiful day to drive up and enjoy the photographs, pizza, pupus and taiko drumming.

I was pleasantly surprised to find that I had gotten a Juror’s Honorable Mention for Just Before Bedtime #2. I had one other print also in the show, Just Before Bedtime. Regular readers will recall these images from the blog. The juror’s choices also made it into a book.  I bought a softcover copy, but I can’t recommend it: the text block was falling out by the time I reached home. I also felt that the color and B&W reproduction suffered in the book. The images on the walls looked great, however, and the Volcano Art Center is a nice venue for the exhibition.

Untitled

Key: R20111001-130209-levels

July 5, 2011

The Elliott Erwitt Show and Thoughts on Humor in Photography

Filed under: articles, exhibits, inspiration, photographers, photography, photos, reviews — Tags: , , — Eric Jeschke @ 10:26 pm

Street Performers, NYC

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I recently had a chance to visit New York City. I’m not certain, but I think the last time I was in NYC for any length of time was in the late 1980′s. I had heard various things about NYC being “cleaned up” in the last couple of decades, but nevertheless I was struck by the remarkable change the city had undergone. In short, it felt like a different city. The trains were clean and efficient; it felt reasonably safe to walk around at night (although I was only in Manhattan and Brooklyn) and I was only once approached by a panhandler. In my previous visit I felt like I was forever walking a phalanx of beggars. Perhaps my visit was a bit charmed, but it really felt like a different place.

The food and the sights and the street scenes were all classically NYC interesting, but the main thing that I want to write about today was a trip to the International Center for Photography to see the Elliott Erwitt exhibit, which runs until sometime in August. I was interested in seeing the show from the moment I read about it, and when I realized that we would be in the area I put it on my “must do” list for the NYC visit.

The show is a retrospective of Erwitt’s life’s work (he was born in 1928) and features a self-curated selection of large prints, several books, and other miscellanea. The 100 B&W prints are printed in various sizes. With the current trend towards huge prints, many of them are unfortunately printed much too large–I can only guess at the sizes of these, but some of them must border on 40 to 50 inches on a side. In my opinion, these larger prints suffered badly in some cases from huge, blotchy grain that distracted from the subject matter even viewed at respectable distances for prints of this size. I am guessing he was mostly a Leica 35mm shooter, and a 35mm frame can only be blown up so large before it begins falling apart. The smaller prints (15-30 inches/side) fared much better, retaining gorgeous tonalities and transitions, and allowing the viewer to move in closer for a more intimate encounter with the subject matter.

The exhibit showed off the Magnum photographer’s incredible photographic versatility and featured examples of street, documentary, photojournalist and portrait work. A few of the photographs are iconic: portraits of Marilyn Monroe, close-ups from the volatile Kruschev-Nixon meetings, humorous dog-human juxtapositions–I recognized many that I wouldn’t have put a name to beforehand. My favorites were the street and documentary prints, which often illustrated Erwitt’s sense of humor. This quote from the exhibit sums those up nicely:

“Above all, Erwitt is noted for his offbeat sense of humor, a rarity in photography. Throughout his work, Erwitt combines gentle whimsy with ironic observation of everyday life. Often his works involve visual puns that make the viewer look twice; such clever comedy requires that every picture be organized with great elegance and precision.”

Perhaps these resonated with me the most because they are precisely closest to what I would say is my own style, which I have described to others for a while now as often humorous or whimsical in nature (although not always so subtle). I can only agree that humor is a rarity in “serious” photography (no pun intended); it must be done with “elegance and precision” in order to keep the viewer from immediately dismissing it into the genre of the snapshot and vernacular. I don’t know all the reasons for this, but it is the same in any branch of art: most art is serious, and the goal of many artists is to make you think, make you angry, make you uncomfortable–anything but to make you smile or laugh. Yet humor and laughter are staples of our human emotions as well; why shouldn’t art evoke them? It’s taken me many years of photography to begin to see my own style emerge, and I feel like that is something I’m finally beginning to get a handle on. While Erwitt’s style is different, he’s one of the few very successful photographers in which I can see an affinity for humor, and it’s refreshing and strangely familiar to see it.

Despite some minor flaws in the presentation, all in all I feel the Erwitt retrospective is a very interesting and worthwhile show. If you will be in the NYC area before the end of the summer, I highly recommend stopping by the ICP on 6th ave midtown and checking it out.

June 5, 2011

At the Photo Expo

Filed under: competitions, exhibits, inspiration, life — Tags: , — Eric Jeschke @ 1:59 pm

Eric with "No Div"

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This weekend saw the opening of the 12th annual Hawaii Photo Expo. The Expo is the premier photography competition and exhibition on the Big Island. I’m on the board of the expo and have been involved with various aspects of the show for several years. Of course I also want to compete in the show and as long as I don’t assist the juror I don’t think there is any real conflict of interest. This year I only got one piece accepted, but it was one that I was pretty happy with and I think it looked pretty good printed at A3+ size. Longtime readers may recognize the image.  The juror, George F. Lee, photo editor of the Honolulu Star-Bulletin newspaper, gave a nice gallery walk-around and critique–everyone was very appreciative. There was some good food at the opening and a decent turnout despite not the greatest weather. All in all a nice night and a lot of fun.

The mixed lighting of gallery lighting and flash resulted in a file that was hard to white balance, no matter what I tried.

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